All posts by Caroline Magner, Arts & Entertainment Editor

Art professor’s work on view at local gallery

Man standing in front of self portrait painting.
Marc Mannheimer in his home studio. Photo by Arts and Entertainment Editor Caroline Magner

Marc Mannheimer has been an artist all his life.

Since long before selling his first piece or becoming a professor of art and design at Northern Essex Community College, art was always an intrinsic part of who he is.

The heart of the art world, New York City, which has accommodated centuries of gifted artists is where Mannheimer first called home. In addition to spending his earliest years in the midst of such a creative hotspot, Mannheimer says he comes from a family of artists. 

It is as though this has always been the path Mannheimer was destined to travel down, constantly leading him in the direction of fascinating places all over the world along the way as his work has been widely shown and collected.  

Mannheimer reportedly spends between two and six hours in his home studio on a daily basis, the studio is an addition built onto the side of the artists Haverhill home where every inch of the walls are covered in prints, self-portraits and artifacts found from his travels, Mannheimer seemingly lives and breathes art.

The virtuoso claims to have never taken art classes of any kind, but rather has taken the unofficial role of pupil under personal role models such as Frank Stella, Max Ernst, and Lucien Freud, the latter of whom Mannheimer cites as his “hero.” 

From a distance without having met these esteemed artists in the contemporary genre personally, Mannheimer was able to glean valuable lessons through close observation of their specific styles and significant themes. 

A lack of having received formal teaching has not diminished Mannheimer’s ability to teach art to others in the slightest bit. If anything, Mannheimer’s real life experience combined with skills covering a myriad of mediums such as painting, printmaking, photography and sculpture make him an admirable and insightful teacher whose fervent passion for the craft sparks enthusiasm in a new generation of artists. 

A painting of Mannheimer’s, entitled Selyatan is currently on view and for sale at the SJ Art Gallery, a Haverhill based Art Consulting company that represents local artists, Marc Mannheimer being one. This painting is a part of an exhibition called Small Works, which consists of small scale artworks created by over 60 local artists.

Mannheimer tells me that this specific piece is directly inspired by the Ukrainian village, Selyatan, where his mother is from. 

In his youth his mother shared stories of her life in the village, she described the town square as having old dirt roads and Mannheimer drew a picture in his mind of what this might have looked like. In 2011, Mannheimer traveled to Selyatan and was surprised to be standing in a strikingly familiar spot, like déjà vu from a dream, the roads of the town square were still made of dirt, now muddy from the rain. 

A small abstract painting
Selyatan by Marc Mannheimer at the SJ ARt Gallery in Haverhill. . Photo by Arts and Entertainment Editor Caroline Magner

The painting, Selyatan, is of the muddy Ukrainian streets Mannheimer glanced down upon over a decade ago, a snapshot of a time before the recent events of war had taken place.

Small paintings on the wall in an art gallery.
A glimpse of the small works show that is currently on view in the SJ Art Gallery in Haverhill. Photo by Arts and Entertainment Editor Caroline Magner

The gallery at SJ Consulting is owned by Sarah LoVasco. LoVasco is a curator, residential installation designer and also a close friend of Mannheimer’s. Through an understanding and respect for each other’s talents, a mutually beneficial relationship is created. 

LoVasco says she is inspired by working artists, “I want to live this life surrounded by people who are innately passionate and creative and have figured out a way to express it” she says. 

LoVasco’s gallery is a place where the working artist’s she loves can be loved by an even wider audience. 

The Small Works show is on display currently until January 6th, 2024

‘A Field of Lost Hair Ties’ on display in NECC gallery

Black and white drawing of a woman gathering up a huge pile of hair ties
A glimpse of the art featured in “A Field of Lost Hair Ties,” exhibit currently on disply in the Linda Hummel-Shea ArtSpace Gallery inside the Bentley Library on the Haverhill campus. Photo by Arts and Entertainment Editor Caroline Magner

Tall, teetering towers of snakelike rings stand tall and sway a bit, forming the appearance of some strange forest. 

Upon further inspection, however, these snakelike rings of which the towering figures are teeming with appear to be elastic hair ties. 

This is what one can expect to see in Sam Modder’s solo art exhibition, A Field of Lost Hair Ties, which is currently on view at the Northern Essex Community College art gallery. 

The story of Modder’s piece becomes unraveled on the walls to the viewer as they stroll through the exhibit: A young Black woman dressed in a short nightdress and striped knee socks attempts to wrangle up the heaps of hair ties, stopping midway through and using one of the hair ties to pull back the frizzy curls from her own face. 

One of the most remarkable aspects of Modder’s piece is the incredible detail. 

At a glance, it’s all shadow and light but up close, the viewer can identify countless lines drawn in black ballpoint pen, which Modder says has been digitally manipulated. 

In certain spots, the artwork actually leaps off from the white backdrop, and seemingly appears to flood into the gallery. 

The drawings themselves entering and sharing the space with the viewer; as Modder says herself in a statement on the piece, she works to “portray larger-than-life Black, female characters taking up space in real and imagined worlds.” 

This she captures perfectly.

“ I like the distinction of the lines, as well as the negative space, (the contrast of the two)really makes everything stand out. The hair is my favorite part,” one person wrote in the notebook offered to visitors to express their thoughts on the work. 

A close up of black and white drawing of woman's face with hair ties coming out by her mouth,
A close up of Sam Modder’s exhibit, “A Field of Lost Hair Ties.” Photo by Arts and Entertainment Editor Caroline Magner

The Northern Essex’ gallery, called the Linda Hummel-Shea ArtSpace Gallery, is located inside of the Bentley Library on the Haverhill campus and has been home to many art exhibits over the years, including works from the school’s current students as well as outside artists, like Modder. 

Sam Modder is a Nigerian-born artist and graduate from Dartmouth College. 

On her website she introduces herself by saying “I draw Black people taking up space in all their texture, vibrancy and power… I want my art to take up space, be accessible and exude truth, joy and hope.”

The exhibit will be on display until Nov. 3. 

Easily accessible art on display in Andover

The front entrance of the Addison Art Gallery building is shown.
An exterior view of the Addison Art Gallery in Andover on Sept. 16. Phpoto by Arts & Entertainment Editor Caroline Magner

When looking to delve deeper into art and culture, one need not travel far or even spend any money to do so.

Many people would be pleasantly surprised to learn that they can experience incredible works of art locally for the cost of nothing.

The Addison Gallery of American Art located in Andover is a great place to start.

Standing on a great lawn and surrounded by the historic buildings that make up Phillips Academy, the picturesque gallery, founded in 1931, boasts three stories of art from their ever changing exhibitions, a library and a tranquil room for studying or reading all of which is available to the public free of charge.

The current exhibits include Turning a Big Ship, Sea Change and Free Association: New Acquisitions in Context.

The Turning a Big Ship exhibit features painter Reggie Burrows Hodges bold and unique take on the sea, sailing and what they represent, according to the brochure.

Sea Change is an assemblage from Addison’s vast collection showcasing nautical themed artworks and sculptures, according to the brochure.

A model ship in a glass case in the Addison Gallery library is shown/
The gallery’s library offers a peaceful place for studying and reading. Photo by Arts & Entertainment Editor Caroline Magner

Free Association: New Acquisitions in Context is a visual “juxtaposition” between the Addison’s historic and contemporary art, according to a description in the brochure.

The former two are on view from Sept. 1. through Dec. 31, while the latter, Free Association, is on view until Feb. 11, 2024.
In addition to the art on view, the Addison Gallery additionally offers tours, talks and celebrations for free to those who sign up through their website.

To get an idea of the variety of events and programs the Addison provides to the public, on Sept. 28, Hodges will be providing a tour through his first ever museum solo show at the Addison Gallery and discussing his position as an artist on the rise.

For those who have always been fascinated by the making of an art exhibit or simply just enjoy visiting museums, curators from the Addison regularly present tours and conversations with the public to gain a deeper understanding into the history of the Addison and their rich collection of works.

The painting “Chromium Dip,” painting by Reggie Burrows Hodges, on display in the “Turning a Big Ship” exhibit  at the Addison Gallery in Andover.  The painting is of a boat on a background of green water.
“Chromium Dip,” painting by Reggie Burrows Hodges, on display in the “Turning a Big Ship” exhibit at the Addison Gallery in Andover. Photo by Arts & Entertainment Editor Caroline Magner